Saturday, March 15, 2008
Cherry Blossom Time
I’ve seen so many Japanese paintings and prints of cherry blossoms that I’m not surprised the Japanese gave the US so many cherry trees to plant in Washington, DC. The tiny blossom of the cherry tree is easy to take for granted. There’s a tree in my front yard. First, bare twigs. Next, a little swelling at nodules on the branches. The red nodules on one branch open into palest pink crepe 5-petaled blossoms. In the center of each is a crown of pistils surrounded by a starburst of taller stamens. Girls in the middle and boys (the pollen producers, for plants) around the outside. How many dances looked like that? More and more blossoms open until the tree is a cloud of light pink. This stage is the peak experience. I pick up one blossom drifting across the grass and put it on my dashboard. I look out over the green lawn with restless pink dots. I drive off into the sun. The sun shines through the flower, emphasizing the concave shaping and the crepe-like texture of each petal. I think I could never capture that image, which lives so clearly in my brain, by drawing or painting. The next day, I find one flattened so that the red sepals form triangles supporting the petals. I put that on my dashboard too. The first one is shriveled, but it still lives in my mind’s eye. The tree is now producing red leaves, first tiny, then larger. Soon there will be no flowers and the tree will flame in fresh beet-red leaves. They’ll grow tarnished and brown through the summer and drop off in late fall. I am glad to be able to see this tree year-round.
Labels:
cherry blossoms,
cherry trees,
writing about flowers
Tuesday, March 11, 2008
Geography of Hope
Recently, a celebration of the life and works on Wallace Stegner was held in Point Reyes Station, CA. Stegner was a Western writer, Wikipedia called him the “Dean of Western Writers.” The conference was entitled “The Geography of Hope.” That comes from Stegner’s 1960 Wilderness Letter. Here is the text: “We simply need that wild country available to us, even if we never do more than drive to its edge and look in. For it can be a means of reassuring ourselves of our sanity as creatures, a part of the geography of hope.” Does the natural world around us on the West Coast of the USA inspire you will a feeling that it’s the ‘geography of hope?”
Friday, February 29, 2008
Glories of Memoir Writing
Last weekend in LAT book review section, Susan Salter Reynolds reviewed three books in short paragraphs, each stimulating my brain in different ways around the theme of memoirs. The first review was of Natalie Goldberg’s Old Friend from Far Away. From her book, the reviewer selected this line, “Writing is the act of reaching across the abyss of isolation to share and reflect.” Goldberg is not talking to me about where I am, but instead inspiring me to try to go where she is.
In the next section the review of Sven Birkerts’ book, The Art of Time in Memoir, shows him excoriating the navel-gazing of memoirists. He apparently feels that only the reflective insight, revealing “what Henry James called ‘the figure in the carpet’”, sets memoir above talk show chatter. I hate to be harangued and probably will not read this book, but Reynolds’ image from James is memorable and will stick in my mind. It’s so easy to walk over a carpet, even for years, without seeing the pattern. But if you describe the room for someone else, you look more carefully and it jumps out into view. How many times I’ve seen the pattern of what happened to me only when writing about it for the second or third time!
The final review was of Julia Cameron’s The Writing Diet. I wish that review matched my experience! It said creativity, as well as falling in love, takes the appetite for food away. Not so for everyone, more’s the pity.
In the next section the review of Sven Birkerts’ book, The Art of Time in Memoir, shows him excoriating the navel-gazing of memoirists. He apparently feels that only the reflective insight, revealing “what Henry James called ‘the figure in the carpet’”, sets memoir above talk show chatter. I hate to be harangued and probably will not read this book, but Reynolds’ image from James is memorable and will stick in my mind. It’s so easy to walk over a carpet, even for years, without seeing the pattern. But if you describe the room for someone else, you look more carefully and it jumps out into view. How many times I’ve seen the pattern of what happened to me only when writing about it for the second or third time!
The final review was of Julia Cameron’s The Writing Diet. I wish that review matched my experience! It said creativity, as well as falling in love, takes the appetite for food away. Not so for everyone, more’s the pity.
Thursday, February 21, 2008
Cold Rain in California
My students from Portland feel happy and at home right now; we’re having a bout of cold rain. It brings back a time when I came out to California for a meeting at Asilomar, in Pacific Grove, near Monterey. The meeting was held in April. It was snowy back East, and all of us going to the meeting were envisioning sunny California. Today the bicycle race, The Tour of California, just raced down the coast from Seaside (Monterey) through Big Sur to San Luis Obispo. It’s some of the most beautiful coastline in the world on a sunny day. But they had the same storm we’re having, and many riders got hypothermia and had to quit the stage race today. Not sunny California after all, sullen gray-green water, curling with dirty white foam, streaming headwinds, cold water. I wonder how rain has affected each of us, how it has shaped our feelings about West Coast living. Do you revel in it because we have so little weather? Do you hate it and get hypothermia of the spirit?
Wednesday, February 20, 2008
Looking at Rocks for Inspiration
We have wonderful rocks in California, and they’re more visible than in other parts of the country, particularly in the desert. I remember watching students climb a huge rounded rock at Joshua Tree National Park. The rock was the size of a two story building. It looked smooth from afar, but up close it was covered with irregularities, bumps, depressions, crumbly places, and crystal outcroppings. The students held onto and to stepped on these irregularities as they scrambled to the top. I remember how the seven students looked on top of that rock. Viewing them from some 100 feet away, it was hard to imagine that they’d climbed rather than being dropped from a helicopter MASH-style. It seems to me that the rock is a symbol of writing. It looks like a miracle, but if you begin the task, the close-up is much easier than the distant view. One sentence at a time, one step at a time. Exceptions and irregularities provide openings to progress. The story comes alive and the climber rises to the top.
Labels:
close-up,
distance,
inspiration for writing,
rock climbing
Saturday, February 16, 2008
The perfection of eggs
I haven’t bought eggs for over a year, but I bought some this morning. I took one out of the container and looked at it. The shape was so round, so smooth. The surface was delicate, white, not the least bit irregular. There’s not much we encounter in the natural world that’s as perfectly shaped as an egg. I recall reading a story about Michelangelo’s egg. A girl interested in art was trying to reproduce a feat she claimed Michelangelo could do; drawing an egg perfectly without lifting the pencil. It’s surprisingly hard, I remember trying a number of times during the month after I read the story. Think about perfection: where in your life do you encounter it?
Thursday, January 31, 2008
Tree Skeletons
I love to look at deciduous trees in winter and try to follow each large branch out to the tips. Some recurve towards the trunk, others reach out sideways for a long time and then flip up or droop. The color and texture of the bark as well as the pattern with which the branches pop out from the trunk vary with the type of tree. My village is probably one of the last places in the US with a lot of elm trees, especially along the road next to the big park in the middle of town. The grace of the branches of those elms is moving to me, and I often choose that street to drive down. I think that if it weren’t for elm blight, every main street in the Eastern part of the US would have this same beautiful pattern lacing the sky. My daughter hates the leaf-drop, and would love it if our village only planted non-deciduous trees. But to me, the lovely bones of the trees, especially silhouetted against sky, are a welcome sight.
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