Showing posts with label agents. Show all posts
Showing posts with label agents. Show all posts

Wednesday, September 14, 2011

Interview with Barbara Abercrombie on Cherished

Dear writers and readers,

Here is a fascinating interview with Barbara Abercrombie.  If you ever have a chance to take a writing class with Barbara through UCLA or elsewhere, jump on it!  She has a new anthology of stories about adored animals called Cherished...hope you enjoy her interview!  Cheers, Laura


Hi Barbara!  How would you describe your relationship with writing?  Do you enjoy it, struggle through it, or some of each?

– It’s like a very long  marriage: passionate periods, tough times, and right now kind of mellow.  Writing fiction and pictures books for kids has always been a struggle for me, but now I’m more into essays and non-fiction books and for the first time writing is actually fun.
Your current book, Cherished: 21 Writers on Animals They Have Loved and Lost is an anthology.  How did you get thie idea for this book?

– I had blogged about losing my horse, how much I had loved him and how hard I was grieving for him, and one of my readers (a vet) said there ought to be a book, a collection of pieces like I wrote/blogged. And it was like Bingo! for me.  That was the kind of book I wanted/needed to read. And of course you always write the book you need to read.
Can you tell us a bit about how an anthology is born?

          – First of all I checked out Amazon and there was no book like the one I had in mind. So then I emailed some of my writer friends who love animals and explained my idea for the book, and asked if they wanted to write an essay for it - and if so to send me a few paragraphs about what their essay would be about. Then I found some published essays about loving and losing an animal by Anne Lamott, Tom McGuane, Jane Smiley, Mark Doty etc. and I wrote to them about reprint rights. Finally I had a proposal put together and sent it to my agent.
What did you like best about putting together this anthology?  What was hardest?

      – I loved practically everything about putting together an anthology. I’m a literary groupie so it was like getting to hang out with the band.  Even marketing – something I usually loathe – was fun cause there was always a group of us when we did readings at bookstores.
Do you work with an agent?  How do you view the role of agents today? 

– Agents are important unless you’re self-publishing – They deal with contracts that most writers don’t want to even read.  I sold some of my children’s picture books to publishers and then had my agent handle the contract. I also did that with Courage & Craft – my agent sent it out to everybody in New York and they replied with wonderful rejection letters but basically said, Who needs another writing book? So I did some research on my own and sent it to New World Library in California and they bought it – then my agent handled the contracts and money. NWL has turned out to be the publisher of my dreams – small and very hands on. And they love their writers. The bottom line is that you can sell a book to small publishers on your own (be sure to research what they publish) and then find an agent to handle the deal. The agent’s 15 percent is a bargain.


What kind of publicity help did you get from your publisher?  What are your thoughts about how authors should approach publicity these days?

        – I love New World Library’s publicists – they’re very available and have booked me on radio and pod casts, and do a lot  with magazines – and if I want to do bookstore appearances they set it up for me.  They also expect me to come up with ideas and contacts of my own – as all publishers do now unless you’re on the best seller list. The Internet is hugely important for publicity.  You need Facebook, your own website for the book, and also a blog.  I call myself the Marketing Whore when it comes to publicity because that’s what it feels like.  
What kind of books do you most enjoy reading?  Any current favorites to recommend?

       – I finally read The Help and loved it. Also I just read The Journal Keeper by Phyllis Theroux on a trip to Russia. I loved it so much I got in touch with her via Facebook from Moscow – and was thrilled when she replied. I’m now reading Lacuna by Barbara Kinsolver and a biography of Frida Kahlo. And Thirst – Mary Oliver’s poems. I love reading all kinds of books. You can’t be a writer without reading.
You have facilitated writing groups for women facing cancer.  How did you keep that activity from becoming depressing?

       – There was a moment early on in the workshop when I thought I just can’t do this – a dear woman I loved had  died – but then I realized most people didn’t die. The workshop was filled with people who went on from having cancer to thrive. And I went on to conduct it for another twelve years. It turned out to be much more inspiring than depressing.
You have taught a lot of wonderful classes at UCLA Extension.  What is it like working with such a variety of people, who have self-selected as members of your class?

       –  Joy, pure and simple. I love teaching at UCLA Extension. I love my students and I love the other instructors. I finally found my own community.

You travel a lot; does this feed into your writing or interrupt it?

         – It used interrupt my writing and it would take days, weeks, to get back into it. But there’s nothing like a book deadline to focus you, so for the past year I’ve written every day while traveling.  I love to write in hotel rooms or on boat cruises (as on our last trip to Russia.) or up in Montana where we have a place. My husband and our rather large family are used to me disappearing to write on vacations. 
Can you give us some ideas for creating a wonderful writing life for ourselves?

        – This is the subject of my next book! (A Year of Writing Dangerously.) It’s 356 days of anecdotes and encouragement and writer’s quotes. Kind of like a party – you get to hear how all these other writers struggle and have fits over their work. It’s also about thinking like a writer, writing every day, grinding through the tough times, etc. I just sent in the final manuscript to my editor at NWL.  (Message from the Marketing Whore: it’ll be published May 2012 and author is available to come to any and all groups to talk about the book!)
Any other thoughts to share with writers?

       – Just this: when you write you’re part of a community of writers. You’re in the Writers Club – the only condition is that you write every day. Even if it’s just for ten minutes. Even if you think what you’re writing is all crap (all writers feel this way at one time or another) and you keep going because only you can write your story – and somebody out there needs to read it. ( One of the perks: You get to read as much as you want – because that’s the best way to learn to write. )

Laura's note: If you enjoy Barbara's thoughts, you may want to follow her blog at http://writingtime.typepad.com/   It is often full of inspiration, not to mention many great book recommendations!  Also check out her website at http://www.barbaraabercrombie. com.  Cherished is available now on Amazon.com and you should keep an eye open for author events featuring her at your local bookstores.




Friday, May 29, 2009

INTERVIEW WITH MELISSA HART



LH: How did you get interested in writing?
MH: My mother was a writer, and there were always books and manuscripts lying around the house. She’d get up early and write in her converted garage. Seeing my interest, she taught me to use her electric typewriter and bought me a copy of Writers’ Market. I wrote a truly awful short story about a girl in a mental institution who befriends a white tiger cub, and sent it off to Seventeen Magazine. Needless to say, it did not get accepted for publication.

LH: What was your first success?
MH: At fifteen, I had a short story titled “No Paper Airplanes Flew” in a national kids’ magazine called Scholastic Voice. It was a fictionalized account of a substitute teacher who’d just undergone a radical mastectomy, and how her recounting of the experience tamed an unruly class of junior high students. (I was one of the unruly students.) Scholastic Voice paid me $50, and I felt like a real writer.

LH: What kind of books or articles do you most enjoy writing?
MH: I love writing literary memoir and essays that inspire readers to think about subjects—owls, adoption, lesbian mothers—in a new and different way.

LH: Do you have an agent? Tell us about your experiences with/without agents.
MH: My agent, Michele Andelman, left Andrea Brown Literary agency directly after selling my memoir, Gringa: A Contradictory Girlhood. At the moment, I’m actively looking for a new literary agent. Michele approached my writing with insight and helped me to shape Gringa into something that would appeal to editors. I miss her!

LH: What are your thoughts about marketing? Do you have any great tips on how to do it well?
MH: If you can write short articles and essays for magazines and newspapers, whether related to the topic of your manuscript or not, this is a terrific way to get your name out there. Most editors ask for an author bio, in which you can include the name of your book and your contact information. I also love to teach at writers’ conferences, where I can network with other writers, plus agents and editors.


LH: If you could go back in time and start over, tell us one thing you have learned that would help you to succeed better/faster/with less struggle.
MH: I would have asked my professors in my undergraduate and graduate programs for advice on how to begin submitting my shorter and book-length pieces to editors and agents. Believe it or not, I used to be shy, and I didn’t take advantage of my teachers as resources. After earning my Master of Fine Arts degree, I knew how to write, but I had to teach myself the business of publishing.

LH: Any other thoughts to share?
MH: It may sound shallow, but I’ve taken for my motto one used by Ben and Jerry of gourmet ice cream fame. “If it’s not fun, why do it?”
I try to write what I love, what’s fun for me to craft. Even when I’m working on a particularly tedious writing project, I try to change my attitude about it so that it’s pleasurable. If this involves consuming large quantities of chocolate, so be it.
LH: Sounds great to me! Thanks for your thoughts, Melissa.